Dane DeHaan and Aubrey Plaza promote their new film “Life After Beth” on GMA (x)
Giambattista Valli fall 2014 couture backstage photographed by Schohaja
Why Guys Like Asian Girls - Anna Akana
Everyone needs to watch this video. Now.
100% on point especially about men thinking that having “yellow fever” is a compliment and we’re supposed to be flattered by it. It’s the #1 way to parade around your blatant racism.
Cherry Blossoms at Nakameguro, Tokyo - 目黒川の桜
Love these GIFs, just wish there was a link to the YouTube video for those who want to see the whole thing. :-)
goes on a date “don’t worry babe i’ll pick up the tab”
The Interiors of Wes Anderson’ in the latest issue of Apartamento #13
“You could compare Wes Anderson to an interior decorator,”says Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”